Thursday, July 25, 2013
A Dream I had July 23, 2013
Friday, September 14, 2012
A dream I had Wednesday, Sept. 12, 2012
I'm either guiding or driving a faded green, motorized cart on a road. I have to look over the side to make sure no one is on the road.
After I look over the side, the scenery shifts. I'm riding a bus, as a girl tells me we're going to the place where birds are born in the light of the waterfall.
When we get there it is nighttime and there is a waterfall. In the middle of the falling waters is a horizontal flare of luminous, pink light. From it comes forth a pair of white birds, which are followed by another pair of white birds.
The girl tells me that one of them was injured and either she or someone else is holding it in their hands. On the breast or belly of the white bird is a line of pink feathers.
Monday, March 14, 2011
A dream I had on Monday, March 14, 2011
A window of the house reveals a blueish, nocturnal world. Exiting the room, I soon feel a cool breeze on the roof. It feels like a spring breeze more than an autumn wind as wispy clouds fly overhead. At times the roof disappears and there is nothing but a blue sky with the clouds. A cloud about the size of a whale shark touches down like fog and drifts towards the roof. I touch the cloud and it feels more like fluffy cotton while a disconnected voice announces that the cloud is composed of angel's hair.
Yet after touching it, I crumple it in one hand as if it was a small piece of cotton.
It is then that I see the whole city covered in fog. Strangely, a cloud the size of a large dog drifts onto the roof. I reach out my fist as though it is a dog and it sniffs my hand. And it is a shaggy dog composed of clouds and I briefly wonder if it's safe. However, a few pets shows that it means no harm. Its hair feels like cotton.
I continue with my flight and fly around the city. From above I see a triplet of young people on top of a roof. They've climbed as high as they could, perhaps on an antenna? I fly by and tell them I'll report what I can see on the top of the cloudscape. When I gain altitude, I barely surface, diving downwards immediately. There is some debris showing that the surface can somehow sustain the weight of the debris.
Wednesday, July 1, 2009
A dream I had on Wednesday, July 1, 2009
The place is not unlike my late grandparents rural Pennsylvania hometown. Houses are canopied by lush trees. During this occasion of flight gray clouds span the horizon. Sometimes I lose altitude and apparently swoosh over a crowd of people enjoying a public gathering. May be it is a public park?
I changed my leg motions and that explains the descent. An older man with gray hair looks up at me after I nearly kick him with my legs. So I tell myself that it's about muscle memory. You have to keep using the same motions in order to gain altitude. After that correction I rise again.
A co-worker from my job at Macy's notices me in flight and waves. I am now climbing at a great rate, so much so, I nearly touch the roof of the stormy looking cloud-cover. Since there could be lightning I make a dramatic dive towards the tree lined park. I dive so quickly that I brush against the tree-tops. as the top branches bristle against my stomach.
I level off and continue gliding. People continue their business.
Tuesday, June 23, 2009
Stuck with a defining moment
The artist can set themselves apart by limning their story on canvas, script, or any medium really. If it is a compelling story (and there are many compelling ones) that would seem to say contemporary art has become centered around the artist.
So you would need a personal narrative to begin differentiating yourself. It is not a bad idea. Western art has often featured content composed of abstract ideas that become usable by anyone. Christianity has been interpreted and subverted. Ideas are great but they are widely available for anyone's use and become impersonal, even generic. Some art can exploit that impersonal quality. But ideas can be in service of something, even something personal, that makes the work correspond to the author, giving the viewer more to work with.
So I thought about my own narrative. Born in Alaska, I was able to see a rare part of world. The small village I lived in was one of those few places that had many places untouched by human presence (though that has changed since then). Moreover, one thing I can really on is my brains ability to recall details from long ago.
The taste of wild berries has not been forgotten. At least in memory, the village sociopath's puce truck with a transparent wine bug deflector is still crashed on the villages dirt roads, front end pointed away from the road, while sloped downwards towards a marshy pond. A result of his many alcoholic binges. The grass on the vast front lawn is as tall as I am because we just returned from vacation to my then living grandparents. Ice crowns several puddles. The water has soaked into the muddy ground, leaving a deceivingly clean layer of ice, hiding the mud beneath it. I poked open the ice layer and took in the value of that observation. Clean layers hide things you don't see immediately. A dream is still vivid to me, which included a tree lit up by moonlight, it's every branch sparkling like diamonds in the night.
There are other moments like this. I always thought everyone had these memories at their disposal and old age is the age we would all revel in that time past. A painting teacher said that is actually not true.
Childhood, like many events in a person's life can evaporate over time, and soon we forget. So I could make art about these events. But I tried to move forward to find something that defined my life beyond childhood. Nothing political except some activism here and there. Nothing traumatic like a war (which is good). All this reflection made me realize that my defining moment as an artist could be sifted exclusively in the magic of childhood.
There are great artists who have material to work with and it really came from their adult life. Sometimes something calls to you but only after the maturity of adulthood. I just wish that I had that kind of clarity. But who knows how much is gained and lost.
This still has made me think about the artist and their relationship to the world so I'm not completely disappointed.
Friday, June 19, 2009
Out of the Shadows - Paul Krugman
Is President Obama deliberately putting off more precise financial regulations for political expediency? Obama is great at starting much needed changes but not so much at follow through. That would carry with it more confrontation with congress and the conservative base which Obama apparently avoids.
Presidents have left issues untouched because they knew that age was not ready. As Krugman says Obama seems to leave resolution to future regulators.
This leaves much to the imagination what could happen, not just in financial regulation, but many other problems. Universal health-care will most likely become inevitable.
Obama should forge ahead with unprecedented changes and introduce America to the inevitable, just with more follow through.
Would the Obama administration’s plan for financial reform do what has to be done? Yes and no.
Yes, the plan would plug some big holes in regulation. But as described, it wouldn’t end the skewed incentives that made the current crisis inevitable.
Let’s start with the good news.
Our current system of financial regulation dates back to a time when everything that functioned as a bank looked like a bank. As long as you regulated big marble buildings with rows of tellers, you pretty much had things nailed down.
But today you don’t have to look like a bank to be a bank. As Tim Geithner, the Treasury secretary, put it in a widely cited speech last summer, banking is anything that involves financing “long-term risky and relatively illiquid assets” with “very short-term liabilities.” Cases in point: Bear Stearns and Lehman, both of which financed large investments in risky securities primarily with short-term borrowing.
And as Mr. Geithner pointed out, by 2007 more than half of America’s banking, in this sense, was being handled by a “parallel financial system” — others call it “shadow banking” — of largely unregulated institutions. These non-bank banks, he ruefully noted, were “vulnerable to a classic type of run, but without the protections such as deposit insurance that the banking system has in place to reduce such risks.”
When Lehman fell, we learned just how vulnerable shadow banking was: a global run on the system brought the world economy to its knees.
One thing financial reform must do, then, is bring non-bank banking out of the shadows.
The Obama plan does this by giving the Federal Reserve the power to regulate any large financial institution it deems “systemically important” — that is, able to create havoc if it fails — whether or not that institution is a traditional bank. Such institutions would be required to hold relatively large amounts of capital to cover possible losses, relatively large amounts of cash to cover possible demands from creditors, and so on.
And the government would have the authority to seize such institutions if they appear insolvent — the kind of power that the Federal Deposit Insurance Corporation already has with regard to traditional banks, but that has been lacking with regard to institutions like Lehman or A.I.G.
Good stuff. But what about the broader problem of financial excess?
President Obama’s speech outlining the financial plan described the underlying problem very well. Wall Street developed a “culture of irresponsibility,” the president said. Lenders didn’t hold on to their loans, but instead sold them off to be repackaged into securities, which in turn were sold to investors who didn’t understand what they were buying. “Meanwhile,” he said, “executive compensation — unmoored from long-term performance or even reality — rewarded recklessness rather than responsibility.”
Unfortunately, the plan as released doesn’t live up to the diagnosis.
True, the proposed new Consumer Financial Protection Agency would help control abusive lending. And the proposal that lenders be required to hold on to 5 percent of their loans, rather than selling everything off to be repackaged, would provide some incentive to lend responsibly.
But 5 percent isn’t enough to deter much risky lending, given the huge rewards to financial executives who book short-term profits. So what should be done about those rewards?
Tellingly, the administration’s executive summary of its proposals highlights “compensation practices” as a key cause of the crisis, but then fails to say anything about addressing those practices. The long-form version says more, but what it says — “Federal regulators should issue standards and guidelines to better align executive compensation practices of financial firms with long-term shareholder value” — is a description of what should happen, rather than a plan to make it happen.
Furthermore, the plan says very little of substance about reforming the rating agencies, whose willingness to give a seal of approval to dubious securities played an important role in creating the mess we’re in.
In short, Mr. Obama has a clear vision of what went wrong, but aside from regulating shadow banking — no small thing, to be sure — his plan basically punts on the question of how to keep it from happening all over again, pushing the hard decisions off to future regulators.
I’m aware of the political realities: getting financial reform through Congress won’t be easy. And even as it stands the Obama plan would be a lot better than nothing.
But to live up to its own analysis, the Obama administration needs to come down harder on the rating agencies and, even more important, get much more specific about reforming the way bankers are paid.Thursday, June 11, 2009
A dream I had on Sunday, June 7th, 2009
There are also meditating men seated in front of the rocks that are covered in variously colored sheets, yellow, orange, and beige. The cliffs slant downwards at an angle but are manageable.
Despite the foreign landscape I feel welcomed somehow.
